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  • Teaching Max/MSP in Higher Music Education: Programming as Creative Thinking, Practice, and Pedagogical Strategy

    Marta Verde, Berklee Valencia

  • Teaching Max/MSP in Higher Music Education: Programming as Creative Thinking, Practice, and Pedagogical Strategy

    Marta Verde, Berklee Valencia

  • Teaching Max/MSP in Higher Music Education: Programming as Creative Thinking, Practice, and Pedagogical Strategy

    Marta Verde, Berklee Valencia

  • Teaching Max/MSP in Higher Music Education: Programming as Creative Thinking, Practice, and Pedagogical Strategy

    Marta Verde, Berklee Valencia

  • Teaching Max/MSP in Higher Music Education: Programming as Creative Thinking, Practice, and Pedagogical Strategy

    Marta Verde, Berklee Valencia

  • Teaching Max/MSP in Higher Music Education: Programming as Creative Thinking, Practice, and Pedagogical Strategy

    Marta Verde, Berklee Valencia

Prose

The Danger of Reading The Single Book: a plea for Cross-Cultural Reading

Chika Unigwe

One of my favorite poems- and has been since I was a child- is “The Blind Men and the Elephant” by John Godfrey Saxe. This poem illustrates, perfectly, what I call the Danger of Reading the Single Book. It was six men of Indostan, To learning much inclined, Who went to see the Elephant (Though all of them were blind), That each by observation, Might satisfy his mind. The First approached the Elephant, And happening to fall, Against his broad and sturdy side, At once began to bawl: “God bless me! but the Elephant, Is very like a WALL!” The Second, feeling of the tusk, Cried, “Ho, what have we here, So very round and smooth and sharp? To me ’tis mighty clear, This wonder of an Elephant, Is very like a SPEAR!” The Third approached the animal, And happening …

The Sword

Ben Loory

Birdheart

Adam Mills

The Rise of the Self and the Decline of Intellectual and Civic Interest

Danielle Moreland Ochoa

Deprivation

Charis Tan

Imperishable Value

Danielle Moreland-Ochoa

Velvet Darkness: Roger Corman’s Enduring Take on Poe’s “Masque of the Red Death”

Victoria Large

Topography

Douglas W. Milliken

The Tango Lesson

Tracy Picha

Music

Poetry

Gathering

Ellen Francese

Ellen Francese       I have met death /
Once Twice /
The ground caught me /
I could not run away /

Excerpts from Venice

Robert Crawford (poetry) Norman McBeath (photography)

Orpheus, Norman McBeath

Excerpts from Simonides

Robert Crawford (poetry) Norman McBeath (photography)

Last Year At Marienbad (Alan Resnais, 1961)

A. Van Jordan

M, (Fritz Lang, 1931)

A. Van Jordan

I’ve Heard the Mermaids Singing (Patricia Rozema, 1987)

A. Van Jordan

American Gigolo (Paul Schrader, 1980)

A. Van Jordan

The Mack (Michael Campus, 1973)

A. Van Jordan

Old Boy (Park Chan-Wook, 2003)

A. Van Jordan

Film

Art

Digital Exhibition: Diane Esmond (1910-1981)

Diane Esmond was born in London and raised in Paris. She studied painting with the French artist Edouard MacAvoy in the 1930s. In 1940, she moved to New York, where she lived until 1952, at which time she returned to live in or near Paris for the rest of her life.

Matthew Bean

Watermelon, Haymarket

Kathyrn Bilinski

Umbrella Spokes

Kathyrn Bilinski

Birds Fly At Ocean

Aldon Baker

The Garden@FUSION

Features

BTOT

Interviews

Events

Strangeland

David O’Reilly

Poems

Ailbhe Ní Ghearbhuigh

Poems

Gerard Smyth

Reviews

FUSION, Berklee’s global arts magazine, publishes writing in all genres, photography, video, and music by students, faculty, staff, and alumni from across the U.S. and our international communities. We feature distinguished guest artists, including three U.S. Poet Laureates, a U.K. Poet Laureate, National Book Award finalists, and writers whose awards include NEA, NEH, Guggenheim, and MacArthur fellowships, a PEN Award, and the Pulitzer Prize.