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Main Menu
  • Scanzonati: Italian Songwriting Reimagined Through the Language of Jazz and Improvisation.

    Andrea Pejrolo and Stefano Marchese

  • Scanzonati: Italian Songwriting Reimagined Through the Language of Jazz and Improvisation.

    Andrea Pejrolo and Stefano Marchese

  • Scanzonati: Italian Songwriting Reimagined Through the Language of Jazz and Improvisation.

    Andrea Pejrolo and Stefano Marchese

  • Scanzonati: Italian Songwriting Reimagined Through the Language of Jazz and Improvisation.

    Andrea Pejrolo and Stefano Marchese

  • Scanzonati: Italian Songwriting Reimagined Through the Language of Jazz and Improvisation.

    Andrea Pejrolo and Stefano Marchese

  • Scanzonati: Italian Songwriting Reimagined Through the Language of Jazz and Improvisation.

    Andrea Pejrolo and Stefano Marchese

  • Scanzonati: Italian Songwriting Reimagined Through the Language of Jazz and Improvisation.

    Andrea Pejrolo and Stefano Marchese

  • Scanzonati: Italian Songwriting Reimagined Through the Language of Jazz and Improvisation.

    Andrea Pejrolo and Stefano Marchese

Prose

A Perfect Encounter

Jake Bennett

We met at a party. The kind of place I imagined many relationships form, without much hope of lasting. But our relationship was different. Certainly we believed it was. I suppose the main reason for this was that I was sober, and she was drunk. And as far as I knew then, all the best encounters took place when one half is sober, and the other is drunk. She floated like a dream beside the swimming pool, soon to be filled with scantily clad party-goers. Her hair, brown as autumn leaves and perfectly unkempt, blew then lifted, in the cool, of the late summer night. A pair of denim, high-waisted shorts rested just above her pendulum-shaped hips. Clutching a cider like an idea she’d just had, and flickering comfortably in and out of various conversations, she appeared completely natural in …

The Danger of Reading The Single Book: a plea for Cross-Cultural Reading

Chika Unigwe

The Sword

Ben Loory

Birdheart

Adam Mills

The Rise of the Self and the Decline of Intellectual and Civic Interest

Danielle Moreland Ochoa

Deprivation

Charis Tan

Imperishable Value

Danielle Moreland-Ochoa

Velvet Darkness: Roger Corman’s Enduring Take on Poe’s “Masque of the Red Death”

Victoria Large

Topography

Douglas W. Milliken

Music

Poetry

Poetry by Kevin Shaabi

Be the one to squeeze my hand, \
As I gaze at the freckled beauty of life \
Be the one to keep the mug of spent coffee, \
On the bright side of the shadows, \ …

Islas dislocadas

Arturo Dávila

My Ballad – Lisa Jura Golabek

Poem by Carol Dine

Gathering

Ellen Francese

Excerpts from Venice

Robert Crawford (poetry) Norman McBeath (photography)

Orpheus, Norman McBeath

Excerpts from Simonides

Robert Crawford (poetry) Norman McBeath (photography)

Last Year At Marienbad (Alan Resnais, 1961)

A. Van Jordan

M, (Fritz Lang, 1931)

A. Van Jordan

I’ve Heard the Mermaids Singing (Patricia Rozema, 1987)

A. Van Jordan

Film

Art

Orpheus, Norman McBeath

Excerpts from Simonides

Robert Crawford (poetry) Norman McBeath (photography)

Simonides is a collaboration between the poet Robert Crawford and the photographer and printmaker Norman McBeath. The work features black and white photographs paired with Scots (and English) translations

Digital Exhibition: Diane Esmond (1910-1981)

Matthew Bean

Watermelon, Haymarket

Kathyrn Bilinski

Umbrella Spokes

Kathyrn Bilinski

The Garden@FUSION

Features

BTOT

Interviews

Events

Strangeland

David O’Reilly

Poems

Ailbhe Ní Ghearbhuigh

Poems

Gerard Smyth

Reviews

FUSION, Berklee’s global arts magazine, publishes writing in all genres, photography, video, and music by students, faculty, staff, and alumni from across the U.S. and our international communities. We feature distinguished guest artists, including three U.S. Poet Laureates, a U.K. Poet Laureate, National Book Award finalists, and writers whose awards include NEA, NEH, Guggenheim, and MacArthur fellowships, a PEN Award, and the Pulitzer Prize.