Category:Music

The Superpower of Conducting: Women Rise to the Podium

Anna Rakitina, Assistant Conductor, Boston Symphony Orchestra

Anna Rakitina was awarded European Culture Prize 2025   Being а female conductor in today’s music world does not feel too uncommon, though, for sure, it was not always like this. The rise of women in the profession is a relatively recent development and, as with many other leadership and governance activities, most positions have been held by males. In the past this had seemed perfectly natural. Conducting demands many qualities that traditionally were attributed to men rather than women: strong leadership, strict character, unwavering resolve, a cool head, and, last but not least, physical strength. For a long time, all this made conducting suitable (in the eyes of many) almost exclusively the domain of men.   Throughout history, leadership roles were given only to males, and not just in the music field. The gender division applied to politics, military service, aviation, etc. Women faced inequity wherever qualities such as boldness were thought to be needed. There are many women today who work hard to prove their capacity for this work. People struggle for equal opportunities and, step by step, are making gains. In classical music, particularly conducting, female musicians have shown themselves strong enough finally to break through and keep up with males on the stage. ...

Berklee Alumni Column #7: Sophie Molkenthin

Joely Cromack-Kluko

Welcoming Autumn with a meaningful conversation, I had the opportunity to chat with Sophia (Sophie) Molkenthin. Sophie grew up with an artistic family in Middlefield, Connecticut. She was raised on classic acoustic folk such as Hall and Oats, Simon and…

A Notion

Shwesmo (Yoel Genin) and Sharon Renold

“In a time of uncertainty, turmoil, fake news, bad news, war, and polarity — this is a song for those wandering through thoughts, wondering: do we even have the freedom of choice? Is the way we were raised, where we were born, our identity — all paving our path through life with nothing more than the illusion of free will?
Reflecting on their past, their path, struggles and pain, the song plays with the idea: if it were possible to go back, erase it all, and choose a different path — would it end up being the same one anyway?”
I rise to see light The same one as before Somehow with each day It gets harder to ignore The pain that follows
Is freedom just a notion I held on to Just a little too long
I find it hard to cope But it doesn’t keep the world From spinning round and round ...

Teaching Max/MSP in Higher Music Education: Programming as Creative Thinking, Practice, and Pedagogical Strategy

Marta Verde

In today’s interconnected creative landscape, the role of programming in music education is no longer a niche topic. For musicians and producers, programming is not just a technical skill — it is a way of thinking, creating, and innovating. Yet, many students approach it with hesitation, especially when their backgrounds are rooted in performance, composition, or production.
This essay reflects on how Max/MSP, a visual programming environment, can be used as a powerful pedagogical tool in higher music education. Drawing on my experience as a Max/MSP Certified Trainer and faculty member at Berklee College of Music, Valencia, I will outline how programming enhances creative thinking, supports artistic expression, and helps students build confidence in their ability to design their own tools and systems.

Berklee Alumni Column #6: Andrew L. Lucas

Joely Cromack-Kluko

As summer flies by, I had the pleasure of speaking with the talented and versatile Andrew L. Lucas. Andrew’s interest in music began in his childhood in Morristown, New Jersey. His father gifted him a guitar when he was only…

Berklee Alumni Column #5: Paulina Romano

Joely Cromack-Kluko

In an electric start to the summer, I chatted with guitarist Paulina Romano. Paulina is a Spring 2024 Berklee graduate who earned a Bachelors of Professional Music with concentrations in performance and recording/production. Her love of music began in her…

Musings of a 21st-century Composer

Marti Epstein

This is what it’s like to be a composer: I am always thinking about the piece I am currently working on, the pieces I will write after this one, the piece I am supposed to write next year. When you…

Adventures in Collaborative Cello Playing (So Far…)

Celia Sieckert

Late spring. Minneapolis, Minnesota. A dusting of pollen is starting to give everything a slight golden tinge. Even Peavey Plaza, sitting in its little corner off of Nicollet Mall, with its tiered concrete fountains and abnormally still sheets of running water, has a forest-like look about it.   Traffic in the Twin Cities is not usually too boisterous, but for some reason, there is a constant rushing of noise in my head, like every car on earth is passing by on 11th Street. Luckily, this is not the nauseating stage fright I usually have before a big performance. Just a light, almost pleasant humming between my ears and behind my eyes: more excited than anxious, but anxious all the same.   I am eighteen years old. I graduate from high school in a week, but I debut as a soloist at Minneapolis’s Orchestra Hall today.   On May 22nd, 2022 – the day in question and one of the best days of my life thus far – I performed a choral piece called The Sun Never Says, one of Dan Forrest’s best in my opinion. My youth choir sang their hearts out on risers behind me while I sat center-stage with my cello. I had been playing the cello for almost seven years at that point, and I knew only one thing: that I wanted to make music for the rest of my life. ...

Berklee Alumni Column #4: Natalie Dodge

Joely Cromack-Kluko

Starting Spring on a high note, I had the pleasure of speaking with modern-folk singer-songwriter Natalie Dodge. Natalie is a 2024 Berklee College of Music graduate who majored in songwriting and minored in recording and production. Her musical journey began…