Category:Music

Interview with Caroline Shaw

Paola Coria

Few composers have had as profound an impact on contemporary music as Caroline Shaw. One of the most distinctive voices in contemporary classical music, she became the youngest recipient of the Pulitzer Prize for Music at the age of 30…

Interview with Vadim Neselovskyi

Paula Coria

Blending contemporary classical music with jazz improvisations, the Ukrainian composer and pianist, Vadim Neselovskyi, talks to us about his new album Perseverantia.   It is an eleven-movement suite for piano and string trio inspired by the resilience and “perseverance” found in war and in human effort and struggle. We also explore the origins of this beautiful project, discuss the relationship between composition and improvisation in the piece, and reflect on the important role that music and art play in times of crisis.

Interview of Jazz Saxophonist Jerry Bergonzi

Gustavo Agatiello

  Jerry Bergonzi interviewed by Gustavo Agatiello, Associate Professor, Berklee College of Music – Boston, May 3, 2026 Gustavo Agatiello: Hi, Jerry. Thanks for meeting up for this interview. I’ve been listening to you, for a long time at the…

The Superpower of Conducting: Women Rise to the Podium

Anna Rakitina, Assistant Conductor, Boston Symphony Orchestra

Anna Rakitina was awarded European Culture Prize 2025   Being а female conductor in today’s music world does not feel too uncommon, though, for sure, it was not always like this. The rise of women in the profession is a relatively recent development and, as with many other leadership and governance activities, most positions have been held by males. In the past this had seemed perfectly natural. Conducting demands many qualities that traditionally were attributed to men rather than women: strong leadership, strict character, unwavering resolve, a cool head, and, last but not least, physical strength. For a long time, all this made conducting suitable (in the eyes of many) almost exclusively the domain of men.   Throughout history, leadership roles were given only to males, and not just in the music field. The gender division applied to politics, military service, aviation, etc. Women faced inequity wherever qualities such as boldness were thought to be needed. There are many women today who work hard to prove their capacity for this work. People struggle for equal opportunities and, step by step, are making gains. In classical music, particularly conducting, female musicians have shown themselves strong enough finally to break through and keep up with males on the stage. ...

Berklee Alumni Column #7: Sophie Molkenthin

Joely Cromack-Kluko

Welcoming Autumn with a meaningful conversation, I had the opportunity to chat with Sophia (Sophie) Molkenthin. Sophie grew up with an artistic family in Middlefield, Connecticut. She was raised on classic acoustic folk such as Hall and Oats, Simon and…

A Notion

Shwesmo (Yoel Genin) and Sharon Renold

“In a time of uncertainty, turmoil, fake news, bad news, war, and polarity — this is a song for those wandering through thoughts, wondering: do we even have the freedom of choice? Is the way we were raised, where we were born, our identity — all paving our path through life with nothing more than the illusion of free will?
Reflecting on their past, their path, struggles and pain, the song plays with the idea: if it were possible to go back, erase it all, and choose a different path — would it end up being the same one anyway?”
I rise to see light The same one as before Somehow with each day It gets harder to ignore The pain that follows
Is freedom just a notion I held on to Just a little too long
I find it hard to cope But it doesn’t keep the world From spinning round and round ...

Teaching Max/MSP in Higher Music Education: Programming as Creative Thinking, Practice, and Pedagogical Strategy

Marta Verde

In today’s interconnected creative landscape, the role of programming in music education is no longer a niche topic. For musicians and producers, programming is not just a technical skill — it is a way of thinking, creating, and innovating. Yet, many students approach it with hesitation, especially when their backgrounds are rooted in performance, composition, or production.
This essay reflects on how Max/MSP, a visual programming environment, can be used as a powerful pedagogical tool in higher music education. Drawing on my experience as a Max/MSP Certified Trainer and faculty member at Berklee College of Music, Valencia, I will outline how programming enhances creative thinking, supports artistic expression, and helps students build confidence in their ability to design their own tools and systems.

Berklee Alumni Column #6: Andrew L. Lucas

Joely Cromack-Kluko

As summer flies by, I had the pleasure of speaking with the talented and versatile Andrew L. Lucas. Andrew’s interest in music began in his childhood in Morristown, New Jersey. His father gifted him a guitar when he was only…

Berklee Alumni Column #5: Paulina Romano

Joely Cromack-Kluko

In an electric start to the summer, I chatted with guitarist Paulina Romano. Paulina is a Spring 2024 Berklee graduate who earned a Bachelors of Professional Music with concentrations in performance and recording/production. Her love of music began in her…