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  • Teaching Max/MSP in Higher Music Education: Programming as Creative Thinking, Practice, and Pedagogical Strategy

    Marta Verde, Berklee Valencia

  • Teaching Max/MSP in Higher Music Education: Programming as Creative Thinking, Practice, and Pedagogical Strategy

    Marta Verde, Berklee Valencia

  • Teaching Max/MSP in Higher Music Education: Programming as Creative Thinking, Practice, and Pedagogical Strategy

    Marta Verde, Berklee Valencia

  • Teaching Max/MSP in Higher Music Education: Programming as Creative Thinking, Practice, and Pedagogical Strategy

    Marta Verde, Berklee Valencia

  • Teaching Max/MSP in Higher Music Education: Programming as Creative Thinking, Practice, and Pedagogical Strategy

    Marta Verde, Berklee Valencia

  • Teaching Max/MSP in Higher Music Education: Programming as Creative Thinking, Practice, and Pedagogical Strategy

    Marta Verde, Berklee Valencia

Prose

Bucha Spring

Ksenia Rychtycka

This fictionalized short story is dedicated to the memory of Ukrainian artist and designer Liubov (Luba) Panchenko, who endured a month of isolation and starvation in her basement while her hometown of Bucha was under brutal Russian occupation. She survived the occupation, but died on April 30, 2022, when her heart gave out. During the Soviet era, her artwork was censored due to its focus on Ukrainian symbolism and folk culture. She was not allowed to exhibit or publish her work. She was a member of the Ukrainian Sixtiers dissident movement, that advocated for freedom of cultural and creative expression.

Microcosmos and Macrocosmos

Louis C. Stewart

Reflections

Lisa Luckenbach

Hamilton The Musical and Political Reception of Art

Emma Pawl

Charlestown High

Joseph Hughes

Creativity

Bella Komodromos

Reduced: (She/Her) Why I Struggle With My Pronouns

Natashia Deón

How Real Is Your Brain?: a Playful Warning About a Science of Our Selves

Nathan Greenslit

Bella’s World

Montserrat Turriza

Music

Peter Pan is Rock & Roll: Are Aging Musicians Still Relevant?

Paul Robert Mullen

We, by nature, have definite expectations of those a certain age. Cynical, I guess, but realistic. I was only walking down the main drag of my home town this morning – a quaint seaside town in north-west England – surveying the behavior of a largely retired population strolling at leisure. They were window shopping, gazing at clouds from wooden benches covered in memorial plaques, stroking dogs that had become their motive for survival. Waiting for death, I guess, in the most dignified manner. People in their late-sixties, seventies, eighties. You can spot them a mile off. They wear the fatigue of stacked up decades in their stoop, their doddering shuffles, their swollen bellies, receding hairlines, frail shoulders, high-blood-pressured cheeks. In their obsolete clothing. Their palpable surrender to antiquity. Curved spines held up by wooden canes. They know they’re old and …

Letter for Berklee

Steve Vai

Where Is Jazz Going?: Reissues, Jazz Industry, and the Future of Jazz

Jiwon Kwon

Sustaining Notes: From Grammy Award Winner Brazilian Singer Luciana Souza To Berklee Students

Luciana Souza

A Beautiful View from the Berklee Bridge, Flowing with Music, Energy, and Glimpses of a Fruitful Future

A Reflection by Dr. Bill Banfield

Music in Islamic Philosophy

Peter Adamson

Musical Setting of Sara Pirkle Hughes’s “What Hurts”

Neil Olmstead

The String Revolution: Beux’s Etude pour violin solo & The Responsibility of the Composer/Performer

Sean Brennan

Against The Odds: an Exploration of Bulgarian Rhythms

Vessela Stoyanova

Poetry

Two Poems from Bucha, Ukraine

Lesyk Panasiu, with introduction by Ilya Kaminsky

“Russian soldiers stayed in our building,” the poet Lesyk Panaisuk wrote to me a few weeks ago. When the war began, Lesyk left Bucha in a hurry, fleeing the Russian invasion.



“War will live in Bucha long after the soldiers are gone,” Lesyk emails me, “because they left a lot of mines throughout Bucha.” Now it is dangerous to walk around the town. Lesyk’s neighbors found some mines in the halls of their building, inside their slippers and washing machines. Some neighbors returned only to install doors and windows. “In our neighbourhood doors to almost every apartment were broken by russian soldiers,” Lesyk writes.

Fire and Rust:

a Suite of Poems from Pat Pattison’s Poetry Workshop

3 Poems

Leana Borsuk

Introduction To Trans Literature and Two Other Poems

Stephanie Burt

For He Was a Great Man

Juan Felipe Herrera, U.S. Poet Laureate Emeritus

“Lightning Decides” & Three Other Poems

Andrew Motion

9 Poems from Poetry 2

Terza Rima, Italian & English Sonnets, Free Verse

Full Circle Sail

Daniel Picker

Poems in Feet & Poems on Feet: Readings & Performances by Berklee Students

Film

Train

J.T. Welsch

Characters: STEVE: 30-ish, travelling businessman SIMON: early thirties, academic KATHRYN: university student on holiday LISA: university student on holiday HOSTESS: attractive, French A train carriage, rumbling along at night, empty except for four passengers: a pair of female university students, speaking to each other quietly; a professional-looking man in his early thirties, reading a packet of papers in the row ahead of them; and another man of about the same age, slouched in the seat facing him.

Questions

Matthew Baamonde

Art

Photos by Yizhak Carmona

 

Soundreaming

Ewa Doroszenko & Jacek Doroszenko

Aldon Baker

Art of Absence

Simon Patch and Mary Sarpong

Boston Sequence

Alexandria Pierre Etienne

The Garden@FUSION

Features

Polyrhythm Clocks

Jerry Leake

The Hidden Curriculum – Definitions and Uses

Kevin Block-Schwenk, Associate Professor of Liberal Arts (Economics & Math)

BTOT 2016 Synergy Presentation

Co-leaders Gail McArthur-Browne and Helen Sherrah-Davies with artist collaborator Jim Zingarelli, Gordon College.

BTOT

Essential Singing Approaches for Contemporary Styles

Jeannie Gagné, Professor, Voice, Berklee College of Music

Interviews

Events

Deadstring Ensemble: Celtic FUSION 2012

Celtic FUSION 2012: Jenna Moynihan:

Celtic FUSION 2012: Holland Raper, Ellen & Drew Story

Reviews

FUSION, Berklee’s global arts magazine, publishes writing in all genres, photography, video, and music by students, faculty, staff, and alumni from across the U.S. and our international communities. We feature distinguished guest artists, including three U.S. Poet Laureates, a U.K. Poet Laureate, National Book Award finalists, and writers whose awards include NEA, NEH, Guggenheim, and MacArthur fellowships, a PEN Award, and the Pulitzer Prize.