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Main Menu
  • Scanzonati: Italian Songwriting Reimagined Through the Language of Jazz and Improvisation.

    Andrea Pejrolo and Stefano Marchese

  • Scanzonati: Italian Songwriting Reimagined Through the Language of Jazz and Improvisation.

    Andrea Pejrolo and Stefano Marchese

  • Scanzonati: Italian Songwriting Reimagined Through the Language of Jazz and Improvisation.

    Andrea Pejrolo and Stefano Marchese

  • Scanzonati: Italian Songwriting Reimagined Through the Language of Jazz and Improvisation.

    Andrea Pejrolo and Stefano Marchese

  • Scanzonati: Italian Songwriting Reimagined Through the Language of Jazz and Improvisation.

    Andrea Pejrolo and Stefano Marchese

  • Scanzonati: Italian Songwriting Reimagined Through the Language of Jazz and Improvisation.

    Andrea Pejrolo and Stefano Marchese

  • Scanzonati: Italian Songwriting Reimagined Through the Language of Jazz and Improvisation.

    Andrea Pejrolo and Stefano Marchese

  • Scanzonati: Italian Songwriting Reimagined Through the Language of Jazz and Improvisation.

    Andrea Pejrolo and Stefano Marchese

Prose

Student Book Reviews from Prof Beth Denisch’s class: Music, Gender and Society

 

Bucha Spring

Ksenia Rychtycka

Microcosmos and Macrocosmos

Louis C. Stewart

Reflections

Lisa Luckenbach

Hamilton The Musical and Political Reception of Art

Emma Pawl

Charlestown High

Joseph Hughes

Creativity

Bella Komodromos

Reduced: (She/Her) Why I Struggle With My Pronouns

Natashia Deón

How Real Is Your Brain?: a Playful Warning About a Science of Our Selves

Nathan Greenslit

Music

Kinds of Blues: 3 Songs & 3 Poems

Cornelius Eady

Cornelius Eady has published more than half a dozen volumes of poetry, among them Victims of the Latest Dance Craze (1985), winner of the Lamont Poetry Prize from the Academy of American Poets; The Gathering of My Name (1991), nominated for a Pulitzer Prize; and Brutal Imagination (2001), a National Book Award finalist.

The Superpower of Conducting: Women Rise to the Podium

Anna Rakitina, Assistant Conductor, Boston Symphony Orchestra

Ghost Session

Pete Mullineaux

Peter Pan is Rock & Roll: Are Aging Musicians Still Relevant?

Paul Robert Mullen

Letter for Berklee

Steve Vai

Where Is Jazz Going?: Reissues, Jazz Industry, and the Future of Jazz

Jiwon Kwon

Sustaining Notes: From Grammy Award Winner Brazilian Singer Luciana Souza To Berklee Students

Luciana Souza

A Beautiful View from the Berklee Bridge, Flowing with Music, Energy, and Glimpses of a Fruitful Future

A Reflection by Dr. Bill Banfield

Music in Islamic Philosophy

Peter Adamson

Poetry

4 Poems from Wayne Wild’s Liberating Aesthetics Course

Black Oak

By Asher Hall



Deep in the city,

She sits planted in the hospital cafe,

A paper sits before her.

It concurs with the thoughts she’s having,

By pleading,

For the past to be changed.



The immediate sensitive nature of the subject …

Vajra (Water song)

Kevin O’Keefe

Five Poems

Ziyi Wu

Two Poems from Bucha, Ukraine

Lesyk Panasiu, with introduction by Ilya Kaminsky

Fire and Rust:

a Suite of Poems from Pat Pattison’s Poetry Workshop

3 Poems

Leana Borsuk

Introduction To Trans Literature and Two Other Poems

Stephanie Burt

For He Was a Great Man

Juan Felipe Herrera, U.S. Poet Laureate Emeritus

“Lightning Decides” & Three Other Poems

Andrew Motion

Film

Train

J.T. Welsch

Characters: STEVE: 30-ish, travelling businessman SIMON: early thirties, academic KATHRYN: university student on holiday LISA: university student on holiday HOSTESS: attractive, French A train carriage, rumbling along at night, empty except for four passengers: a pair of female university students, speaking to each other quietly; a professional-looking man in his early thirties, reading a packet of papers in the row ahead of them; and another man of about the same age, slouched in the seat facing him.

Questions

Matthew Baamonde

Art

Mexico: A Surrealist Country.

Monica Fernandez

Many people know that the art movement of Surrealism began in Europe and that the most famous surrealists are European as well. But what few people may know is that the grand majority of them fled to Mexico because of political ideologies and found in this country a great deal of inspiration for their art. Some of them settled there for the rest of their lives and their art is even considered Mexican. Artists such as Remedios Varo, Leonora Carrington, Wolfgang Paalen and André Breton are some of the surrealists who visited the country. Even Salvador Dalí made a short visit and said: “There is no way I’m going back to Mexico. I can’t stand to be in a country that is more surrealist than my paintings”. In 1941, Mexico opened its doors to thousands of European refugees. Most of …

Photos by Yizhak Carmona

Soundreaming

Ewa Doroszenko & Jacek Doroszenko

Aldon Baker

Art of Absence

Simon Patch and Mary Sarpong

The Garden@FUSION

Features

Polyrhythm Clocks

Jerry Leake

The Hidden Curriculum – Definitions and Uses

Kevin Block-Schwenk, Associate Professor of Liberal Arts (Economics & Math)

BTOT 2016 Synergy Presentation

Co-leaders Gail McArthur-Browne and Helen Sherrah-Davies with artist collaborator Jim Zingarelli, Gordon College.

BTOT

Essential Singing Approaches for Contemporary Styles

Jeannie Gagné, Professor, Voice, Berklee College of Music

Interviews

Events

Deadstring Ensemble: Celtic FUSION 2012

Celtic FUSION 2012: Jenna Moynihan:

Celtic FUSION 2012: Holland Raper, Ellen & Drew Story

Reviews

FUSION, Berklee’s global arts magazine, publishes writing in all genres, photography, video, and music by students, faculty, staff, and alumni from across the U.S. and our international communities. We feature distinguished guest artists, including three U.S. Poet Laureates, a U.K. Poet Laureate, National Book Award finalists, and writers whose awards include NEA, NEH, Guggenheim, and MacArthur fellowships, a PEN Award, and the Pulitzer Prize.