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Main Menu
  • String Quartet, Poems, an ebook from FUSION

    Pat Pattison

  • String Quartet, Poems, an ebook from FUSION

    Pat Pattison

  • String Quartet, Poems, an ebook from FUSION

    Pat Pattison

  • String Quartet, Poems, an ebook from FUSION

    Pat Pattison

  • String Quartet, Poems, an ebook from FUSION

    Pat Pattison

  • String Quartet, Poems, an ebook from FUSION

    Pat Pattison

  • String Quartet, Poems, an ebook from FUSION

    Pat Pattison

  • String Quartet, Poems, an ebook from FUSION

    Pat Pattison

Prose

Bella’s World

Montserrat Turriza

Bella’s most prized possession, a Mozart doll, lays in the center of her bed, surrounded by a small herd of Build-A-Bear stuffed plushies, American Girl dolls, and stuffed zoo animals. He lays stiff and unyielding in the throng of plastic and plush, wearing a sponge-like grey wig, and a red suit with white ruffles. When his key is turned, he plays Eine Kleine Nachtmusik, translated as “A Little Night Music.” And though intended as a light-hearted serenade, not a lullaby, its playful notes comfort Bella. …

Gardens and Psychedelia

Pat Pattison

The Poetics of Natural Being: Buddhism, Creativity, and Nature

Lama Elizabeth Monson

What’s in a Landscape?

Wayne Wild

A Comic’s Relief

Chloe Southern

Student Short Story Contest Winners

History Of My Heart: Opening and Closing Passages

Robert Pinsky

Promise Me You’ll Hide a Part of Yourself

Darcy Reeder

Seeking Thought Itself

Bryce Perry

Music

Musical Setting of Sara Pirkle Hughes’s “What Hurts”

Neil Olmstead

“What Hurts” is based on a poem by Sara Pirkle Hughes. It is the first piece in a song cycle of five art songs for mezzo soprano and piano that I composed within the last year and recorded this past August. This piece questions the reasonableness of our efforts to forget pain, physical or emotional, in order to “get on with life.” I was inspired by this viewpoint and also by the overall rhythm and form of the piece. The poem is a “pantoum,” a verse in quatrains, in which the second and fourth lines are repeated as the first and third lines of the following quatrain. Sara gave me permission to omit a section of the poem and to change the wording slightly to satisfy the music. Although such omissions are considered taboo in some circles, this flexibility is …

The String Revolution: Beux’s Etude pour violin solo & The Responsibility of the Composer/Performer

Sean Brennan

Against The Odds: an Exploration of Bulgarian Rhythms

Vessela Stoyanova

Which Way do the Trade Winds Blow?

Rick McLaughlin

T. Allen LeVines

Ame-no-Uzume-no-Mikoto

Aliya Cycon Project

Interview by Xingyu

Preab Meadar – transforming Poetry to Dance

Essential Singing Approaches for Contemporary Styles

Jeannie Gagné, Professor, Voice, Berklee College of Music

Hole

Anwen Crawford

Poetry

Full Circle Sail

Daniel Picker

With the mast up
while wheeling the boat
out from the yard,
by the sandy shore
to launch as if for
the first time, sun
bright, sky light, wind
half brisk, a new …

Poems in Feet & Poems on Feet: Readings & Performances by Berklee Students

9 New Poets, 9 New Poems

Berklee Students

Charades and Four Other Poems

Robert Carr

Social Distance and Two Other Poems

Eileen Cleary

“The Longest Day” & Two Other Poems

Cristopher Gonzalez

“Whisper Down the Lane” & Five Other Poems

Brianna Nelson

The Last Sound You Hear and Two Other Poems

David P. Miller

New Voices, Traditional Forms: Student Sonnets & Sapphic Stanzas

Film

Art

Three Paintings

Magdalene Coleman

Magdalene Coleman grew up in Boxford, MA and attended Masconomet Regional High School in Topsfield, MA. The art department at Masconomet was absolutely fantastic. My teachers believed in my artistic ability in more ways than anyone had before, that is, except for, my grandfather. Although he passed when I was only eleven years old, he urged me to keep creating and assured me that one day it would define me. I attended Montserrat College of Art in Beverly where these paintings were created.

Paola Calatayud-Serna

Natalie Haas

Alasdair Fraser & Natalie Haas

Philip Barlow

Kimberley Fraser

The Garden@FUSION

Features

Creative Nonfiction

Essential Singing Approaches for Contemporary Styles

Jeannie Gagné, Professor, Voice, Berklee College of Music

From Valencia

BTOT

Interviews

Events

Celtic FUSION 2013

Irish Photos

Fionán O’Connell

Inscription

Reviews

FUSION, Berklee’s global arts magazine, publishes writing in all genres, photography, video, and music by students, faculty, staff, and alumni from across the U.S. and our international communities. We feature distinguished guest artists, including three U.S. Poet Laureates, a U.K. Poet Laureate, National Book Award finalists, and writers whose awards include NEA, NEH, Guggenheim, and MacArthur fellowships, a PEN Award, and the Pulitzer Prize.