Skip to content
  • About
  • Contact
  • Links
  • Submission Guidelines
FUSION
  • Art
    • Mixed Media
    • Painting
    • Photography
  • Prose
    • Creative Nonfiction
    • Essays
    • Fiction
    • Philosophy
    • Reviews
  • Music
  • Poetry
  • Film
    • Drama and Film
    • Video
  • Guest Artists
  • Features
    • Collections
    • Berklee Teachers on Teaching
    • Contests
  • More
    • The Garden@FUSION
      • Visual Art
      • Poetry from The Garden
    • Archives
      • Volume 4
        • Berklee Community
        • Featured Writers
        • Download the Issue
      • Volume 3
        • Featured Artists
        • Featured Writers
        • Drama
        • Download Volume 3
      • In memoriam, Henry Augustine Tate
      • Slam Poetry
    • Events
      • Event Videos
      • Listings
    • Celtic FUSION
      • Celtic FUSION: The Scottish Feature
      • Celtic FUSION 2012
      • Celtic FUSION 2013
      • Celtic FUSION 2014
    • Interviews
    • Columns
      • Alex Hicks
      • Linnéa Lundgren
      • Paola Serna
      • Seph Hamilton
      • Stephanie Welton
      • Zev Burrows: Film Talk
Main Menu
  • Teaching Max/MSP in Higher Music Education: Programming as Creative Thinking, Practice, and Pedagogical Strategy

    Marta Verde, Berklee Valencia

  • Teaching Max/MSP in Higher Music Education: Programming as Creative Thinking, Practice, and Pedagogical Strategy

    Marta Verde, Berklee Valencia

  • Teaching Max/MSP in Higher Music Education: Programming as Creative Thinking, Practice, and Pedagogical Strategy

    Marta Verde, Berklee Valencia

  • Teaching Max/MSP in Higher Music Education: Programming as Creative Thinking, Practice, and Pedagogical Strategy

    Marta Verde, Berklee Valencia

  • Teaching Max/MSP in Higher Music Education: Programming as Creative Thinking, Practice, and Pedagogical Strategy

    Marta Verde, Berklee Valencia

  • Teaching Max/MSP in Higher Music Education: Programming as Creative Thinking, Practice, and Pedagogical Strategy

    Marta Verde, Berklee Valencia

Prose

The Emancipatory Potential of the Beautiful:

Erich Johnson

It is safe to say that a common, popular conception of art is that which depicts the beautiful. Nonetheless, even this seemingly benign assumption raises some interesting questions. Is beauty a subjective or an objective notion? Does it reside in the observer of the object or in the object itself? Is beauty relative, or contingent upon factors outside of the object of judgment? How does the beauty of an object affect the social relations regarding that object? Why is beauty important in regards to art? In his Critique of Judgment, Immanuel Kant thoroughly describes his four reflective judgments, beauty being one of them. It is important because of his systematic description of the term. Kant is very specific in his differentiation of the judgment of beauty versus the potentially contrasting judgment of the good, viz. an ethical judgment. It is …

Minnie Mouse

Raven Baksh

“Hippy Boyfriend”

Alyson “Allie” Brill

Clouds

Elias Chess

An Old Friend (Variation of Little Red Riding Hood)

Timothy Hayden Hamilton

Ruby

Alyson “Allie” Brill

Little Red

Eli Chess

The Origin of Racial Conflict

Max Monahan

Bridges

Jennifer Andrews

Music

Poetry

Poems

Trevor Conway

The tiptoe of rain /

Tapping as we huddle /

Under the black umbrella. /

Curves: your cheek, / …

Poems

Sandra Bunting

Three Sonnets

Mark Simos

Be kind to old, forgotten clothes

Michael Hazani

Her Diary

John D. Lippincott

The Test of the Bow and Others

Thomas O’Grady

More Haiku

Raffael de Gruttola

Haiku

Raffael de Gruttola

God, Forgive Me

Dana James

Film

Art

Taylor Raspberry

 

Jazmin McRay

Andrea

John Riley Madison

Josh James

The Garden@FUSION

Features

BTOT

Interviews

Events

Poems

Rita Ann Higgins

Poems

Ryan Dennis

Poems

Trevor Conway

Reviews

FUSION, Berklee’s global arts magazine, publishes writing in all genres, photography, video, and music by students, faculty, staff, and alumni from across the U.S. and our international communities. We feature distinguished guest artists, including three U.S. Poet Laureates, a U.K. Poet Laureate, National Book Award finalists, and writers whose awards include NEA, NEH, Guggenheim, and MacArthur fellowships, a PEN Award, and the Pulitzer Prize.