Every time I look at my face in a mirror, I spot its dry skin, go away and forget the way I look. I hate the color of my skin. Like the ugly duckling, I’m the darkest among my family…
“Under The Skin,” like most stories, relies upon a narrative that exists on the surface of the film: a seductive alien luring willing men into her grasp my means of a van that peruses the Scottish coastline. But this analysis…
Regardless of the photographer’s intent, this Life magazine’s 1985 cover of the American Astronaut Anna Fisher says it all: The New York City bread graduate Anna Lee Fisher (top) of UCLA ignites a intriguing comparison to Ellen Ripley: one of world’s most famous female heroes projected in film.
The empty blue vase stood on the round white table in the kitchen. Early morning light crept through the jalousie’s slats and extended its fingers to the smooth surface of the vase. The glass was cool. Soft sunlight travelled across…
Contemplating about the true nature of religion, whether or not religious beliefs lie in or outside the bounds of rationality and reasoning is something all of us have thought about. “Why religion, since so costly, has survived?”
The piece “Bop” by Langston Hughes is a dialectic expression of the Socratic method between two characters: Simple and the narrator, “I”. In this conversation, the subjects illustrate a teacher-student relationship.
As I reach Woodlands train station, everything and everyone is moving in the speed of lightning. The human traffic moves like a colony of ants, coming from various directions. I soon realized that if I had stopped walking, everyone is going to crash into one another. Access control gates slams inward and outward like huge resounding metals in a factory. They go in sync and people go through them as quickly as they can – afraid the gates might just slam them. I walk without a care in the world. 7am: I am on my way to school.
Simonides is a collaboration between the poet Robert Crawford and the photographer and printmaker Norman McBeath. The work features black and white photographs paired with Scots (and English) translations