You see it and get that nightmarish shiver you can only recall from your dreams. It is an image inviting you to get lost in the world in front of your eyes while the world behind them strives to decipher that strange familiarity. It is an unconventional word and a plot twist in the story. It is absurd and childish. It is real and abstract. A philosophy: surrealism.
Although I had never seen a Wes Anderson film until very recently, I had always known him to be a quirky, indie, offbeat, and whimsical filmmaker. This assumption most likely grew from friends or family who have mentioned him in conversation, or critics whose reviews I have come across.
One of the rich traditions of Irish Culture lies in its unique mythology. The emblem of their history is defined by it, and its close ties to the mysticism and beliefs of paganism idiosyncratic to the island. Festivals of celebration, and the tradition of giving one’s self into excess is, at times, a producer of culture that can sparsely be seen in nations considered “civilized,” which is easily demonstrated by the concoction of tales surrounding Fairies, Banshees, and Gods that are fairly native to the populace of Ireland.
My world shifted forever one Tuesday afternoon, decades ago, in Bob Baker’s Philosophy 1 class at the University of Minnesota. Bob was making a case for Descartes’ distinction between Appearance and Reality, and my head was swimming a bit.
In the final moments of Summer With Monika, Harry Lund (Lars Ekborg) reflects upon the happiest days of his life. Defeated by both his wife’s betrayal and his own newfound cruelty, Harry reminisces on their summer together.
His right leg was shaking, out of control. The golden sustain pedal beneath his foot gained momentum and kept pressing back against the low and unstable pressure of his leg.
Regardless of the photographer’s intent, this Life magazine’s 1985 cover of the American Astronaut Anna Fisher says it all: The New York City bread graduate Anna Lee Fisher (top) of UCLA ignites a intriguing comparison to Ellen Ripley: one of world’s most famous female heroes projected in film.
Contemplating about the true nature of religion, whether or not religious beliefs lie in or outside the bounds of rationality and reasoning is something all of us have thought about. “Why religion, since so costly, has survived?”
The piece “Bop” by Langston Hughes is a dialectic expression of the Socratic method between two characters: Simple and the narrator, “I”. In this conversation, the subjects illustrate a teacher-student relationship.
“I think the tools available to Beethoven to write his music were insufficient for him. He very often composed by pushing the boundary beyond the instrument available to him at the time and even beyond the reality of the music and matter. When faced with such energy, there is something irrepressible and yet, you have to deal with something tangible, something with limits of its own.” -Pianist, Helene Grimaud